A frenzied, impatient pop culture connoisseur, he is quick with a quip and so sly with his insults that they often fly past their targets. 31)įew contemporary comedians have a persona as distinctive as Billy Eichner’s. As in his indie hit “Chasing Amy,” Smith knows that there’s no such thing as “just sex,” and, with the help of his charismatic leads, thoughtfully explores what happens when platonic pals decide to take that big leap. This isn’t just some silly, gross-out sex comedy (though, to be sure, there’s plenty of that). The leering title and premise don’t tell the entire story, however. Rarely has a title been so accurate in its description as it is here, and the writer and director Kevin Smith (“Clerks”) tells the tale of two longtime friends (Seth Rogen and Elizabeth Banks), desperate for cash, who turn to the seemingly lucrative world of adult entertainment.
But Verbinski also doesn’t alienate the target audience: Kids will likewise delight in this visually inventive and frequently funny treat. Thompson in “Fear and Loathing in Las Vegas,” even throwing in visual and verbal nods to that very R-rated adaptation. And he apparently instructed his leading man, Johnny Depp, to voice the role as a riff on his turn as Hunter S. First, he constructs it as a kiddie “Chinatown,” with our hero stumbling into a Western town where the battle over water rights is getting ugly.
But few have done it as unapologetically (and successfully) as the “Pirates of the Caribbean” director Gore Verbinski, who livens up this story of a desert lizard’s adventure in several surprising ways. Plenty of filmmakers have livened up family movies by sliding in winking gags and pop culture references for the grown-ups.
Wheatley finds ingenious variations throughout, keeping the action energetic and fresh, while his first-rate cast (including Armie Hammer, Brie Larson, Cillian Murphy and Jack Reynor), resplendent in ’70s duds, squeeze in as much characterization as they can between shots. This action extravaganza from the writer and director Ben Wheatley (“Kill List”) is essentially a feature-length gunfight, in which various parties assemble in an isolated warehouse for a gun buy before turning on one another. But if you do love shoot-outs, or if you love inventive gunplay and threatening gun-cocking and artful reloads and the films of John Woo, boy is this the movie for you. If you don’t like shootouts, then move along, nothing to see here. (Dates reflect the final day a title is available.) ‘Free Fire’ (Oct.
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